It’s worth pointing out, of course, that rules are made to be broken, and there are plenty of incredible ambient, minimal and general electronic tracks that rely completely on texture and evolving modulations to evoke emotion, as much as the use of certain chords and melodic phrases. It’s perfectly possible, for example, to create melodies or chord progressions entirely based on what sounds appealing to your ears without really understanding what key you’re working in or why some combinations work while others don’t. A lot of great dance, pop and rock music has been made by self-taught musicians with limited knowledge of the theory behind what they’re doing. As an electronic musician it’s debatable how deep you need to go. Many electronic musicians regularly experiment with fairly complex musical concepts without fully exploring the theory behind themĪll of which is very basic music theory and, of course, music theory can get far, far more complex than this. Some songs can be four chords repeated in a loop, others a complex never-repeating sequence, but all become music as soon as you follow one chord with another. Putting chords in series creates a progression, and putting melodies and basslines alongside this creates a song. When more than one of these notes plays simultaneously, it creates a chord. Working with beats and being a genius sound designer is great, but creating a great track also requires knowledge of how these elements fit together understanding how notes interlock, beats and basslines groove and how a central melody can truly engage the listener.Īt their simplest level, all songs can be boiled down to ‘a tune’ – a series of notes that play one after another.
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